Mati Berkali-kali dalam Femisida: Representasi Kasus 'Koper Merah' di Media Sosial TikTok

Ni Luh Feby Riveranika, Prof. Dr. Heru Nugroho

2026 | Skripsi | Sosiologi

Femisida atau pembunuhan terhadap perempuan menjadi permasalahan kekerasan gender yang signifikan di seluruh dunia, termasuk Indonesia. Namun, kematian fisik tidak serta-merta mengakhiri kekerasan yang dialami korban. Pemberitaan dan pembahasan kasus femisida di media justru sering kali memperpanjang kekerasan tersebut melalui sirkulasi wacana digital yang bias, eksploitatif, dan tidak adil sehingga menciptakan "mati berkali-kali" secara simbolik. Peristiwa femisida dikonstruksi ulang di ruang digital dengan menggunakan narasi misoginis serta tayangan audio-visual yang sensasional. Penelitian ini bertujuan mengungkapkan praktik ketidakadilan gender lanjutan melalui reproduksi bias gender dan ideologi patriarki serta kemunculan counter narasi dalam wacana digital dengan teori FCDA Michelle M. Lazar. Kemudian, simulasi realitas dengan teori Jean Baudrillard dan pembentukan makna dan kebenaran kasus dengan teori relasi kuasa Michel Foucault. Penelitian menggunakan metode kualitatif dengan pendekatan Analisis Wacana Kritis Norman Fairclough untuk menelaah dimensi teks, praktik diskursif, dan praktik sosio-kultural dari wacana. Data Primer penelitian diperoleh dari 23 konten TikTok dengan variasi jenis dan tema pembahasan berbeda beserta dengan komentar terkait. Hasil penelitian menunjukkan bahwa representasi dan interaktivitas kasus memuat bias gender, narasi kekuasaan dan kekerasan, serta pembungkaman dan penghapusan subjektivitas perempuan. Di lain sisi, ditemukan pula berbagai bentuk perlawanan melalui counter narasi yang menentang wacana dominan. Temuan penelitian juga memperlihatkan bergesernya realitas peristiwa menjadi citra digital yang diproduksi dan disirkulasikan melalui praktik diskursif serta logika visibilitas platform media TikTok. Dalam konteks tersebut, relasi kuasa institusional dan partisipasi sosial-budaya dari masyarakat digital turut berkontribusi menormalisasi kekerasan terhadap perempuan secara struktural dan sistematis. Oleh karena itu, diperlukan kesadaran kritis dan upaya kolektif untuk mencegah reproduksi kekerasan gender dalam wacana femisida di ruang digital secara berkelanjutan.

Femicide, or the murder of women, is a significant problem of gender violence worldwide, including in Indonesia. However, physical death does not necessarily end the violence experienced by victims. Reporting and discussion of femicide cases in the media often prolong the violence through the circulation of biased, exploitative, and unfair digital discourse, creating a symbolic "repeated death." Femicide incidents are reconstructed in the digital space using misogynistic narratives and sensational audio-visual displays. This research focuses on the "red suitcase" femicide case that occurred in East Java in 2025 by highlighting the representation of content and public interactivity on TikTok social media. This research aims to reveal the practice of continued gender injustice through the reproduction of gender bias and patriarchal ideology and the emergence of counternarratives in digital discourse using Michelle M. Lazar's FCDA theory. Then, reality simulation uses Jean Baudrillard's theory and the formation of meaning and truth in the case uses Michel Foucault's theory of power relations. The research uses qualitative methods with Norman Fairclough's Critical Discourse Analysis approach to examine the dimensions of text, discursive practices, and socio-cultural practices of discourse. The primary research data was obtained from 23 TikTok content pieces with varying types and themes, along with related comments. The results show that the representation and interactivity of the cases contain gender bias, narratives of power and violence, and the silencing and erasure of women's subjectivity. On the other hand, various forms of resistance were also found through counternarratives that challenge the dominant discourse. The research findings also demonstrate the shift in the reality of the event into a digital image produced and circulated through discursive practices and the logic of visibility on the TikTok platform. In this context, institutional power relations and the socio-cultural participation of digital communities contribute to the structural and systematic normalization of violence against women. Therefore, critical awareness and collective efforts are needed to prevent the ongoing reproduction of gender violence within the discourse of femicide in digital spaces.

Kata Kunci : femisida, TikTok, kekerasan gender berulang, analisis wacana kritis