Narasi Mitos dalam Cerita Film Singsot Karya Wahyu Agung Prasetyo: Kajian Naratologi Seymour Chatman
AMALIA NURHASANAH, Dr.Djarot Heru Santosa, M.Hum.
2024 | Skripsi | SASTRA NUSANTARA
Penelitian ini membahas narasi mitos yang
terdapat dalam cerita film pendek Singsot karya Wahyu Agung Prasetyo
pada kanal YouTube Ravacana Films. Film ini menceritakan seorang anak kecil
yang mengalami kejadian buruk sebab melanggar pantangan. Metode yang digunakan
adalah metode simak dan catat dengan teknik audio visual.
Teori naratologi Seymour Chatman dipilih
untuk menganalisis cerita film pendek Singsot guna mengungkapkan
struktur cerita film pendek Singsot dilihat dari unsur naratif, yaitu hubungan
keberadaan dan peristiwa. Keberadaan berupa karakter dan latar, sedangkan
peristiwa berupa kernel dan satellite. Hasil analisis disajikan
dengan metode kualitatif, menggunakan data yang telah dikumpulkan, kemudian
dijelaskan secara deskriptif.
Hasil penelitian menunjukkan bahwa cerita
film pendek Singsot tersusun atas tema mitos bersiul di malam hari.
Dalam karakter ditemukan empat tokoh yang menghubungkan
antara satu unsur naratif dengan unsur lainnya. Melanggar atas pantangan bersiul
di malam hari mengakibatkan terjadinya peristiwa celaka yang saling berhubungan
satu sama lain. Pada unsur latar ditemukan latar waktu maghrib, waktu nyata,
waktu mimpi, latar tempat di rumah model Jawa tradisional, dan latar sosial
kepercayaan bersiul di malam hari mendatangkan peristiwa celaka. Selain itu ditemukan
16 kernel dan 20 satellite. Narasi mitos terbentuk dari
kejadian-kejadian yang dialami para tokoh.
This
research discusses the mythical narrative contained in the story of the short movie
Singsot by Wahyu Agung Prasetyo on the Ravacana Films YouTube channel. This
movie tells the story of a little boy who experiences bad events because he violates
taboos.The method used is the method of listening and writing with audio-visual
techniques.
Seymour
Chatman's narratology theory was chosen to analyse the story of Singsot
short movie to reveal the story structure of Singsot film seen from
narrative elements, namely the relationship between existence and events.
Existence is in the form of character and setting, while events are kernel and
satellite. The results of the analysis are presented using the
descriptive-qualitative method, using the data that has been collected, then
explained descriptively.
The
results show that the story of the short movie Singsot is composed of the
mythical theme of whistling at night. There are four characters that connect
one narrative element with another. Violating the taboo of whistling at night
results in the occurrence of disastrous events that are interconnected with
each other. In the setting element, we find the setting of maghrib time, real
time, dream time, place setting in a traditional Javanese model house, and the
social setting of the belief that whistling at night brings wretched events. In
addition, 16 kernels and 20 satellites were found. The mythical narrative is
formed from the events experienced by the characters.
Kata Kunci : singsot, narasi, mitos, cerita, peristiwa