Pergumulan Identitas Tari Aceh: Komoditas dan Orisinalitas Budaya di Komunitas Rampoe UGM

Nun Afra Farhanggi, Hakimul Ikhwan

2016 | Skripsi | Sosiologi

ABSTRACT Tari Aceh increasingly widespread and legendary in the national and international arena. Its existence makes Rampoe UGM community located in the Faculty of Humanities follow to get fresh air. Communities born out of the Department of Arabic Literature is often received an invitation to perform at the event - the campus and weddings. Openness in recruiting community members cross religious, ethnic, racial, and university make this community is getting flooded with bids appearance. Community Rampoe UGM often record while promoting every appearance on social media sites. Agenda of the many activities such as diplomacy abroad, dance competition, appreciation of the dancers, Rampoe Teaching makes this community requires a lot of funds. Various methods are used to meet the needs of the bargain - bargain prices and drafted dance according to demand and price agreements. By using qualitative methods of case studies, this paper discusses the study of identity struggles Tari Aceh in commodities and cultural authenticity in the community of Rampoe UGM. The results of in-depth interviews and observations on a regular basis during the month of December 2015 until April 2016 with the members, coaches, founder and board Rampoe UGM, replied that occurred commodification in this community that could potentially lead to the distortion of culture. Islamic Propagation that should go conveyed in poetry and dance moves are often forgotten and only shows the symbol (headscarf and songket sarong) Islam. Various modifications to meet the demand created movement. In addition, to earn extra money, some members made their dancing skills to find additional revenue in others communities. Despite the commodification at Rampoe UGM community, in which there is a tug or struggle in preserving its identity. The struggle in the negotiations to create visible, among others: (1) efforts to perpetuate the community, (2) the existence of produced material, (3) the identity politics to unify diversity. This is because Rampoe UGM sought to move forward preserve its identity in the cultural city of Yogyakarta. The commodification of the role as well as the actors who organized therein. As said by Marx as the exchange rate and the value to the commodities that the production activities carried out by the actor who changed the objects around to matter (money). As with Marx, Castells projecting the identity created a role as well-run construction actors / individuals. Keywords: Tari Aceh, Commodification, Identity, Struggle

Kata Kunci : Kesenian Tradisional